Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Lucas Cranach
Part of a diptych with the portrait of his son, Johann Friedrich the Magnanimous

ID: 81353

Lucas Cranach Part of a diptych with the portrait of his son, Johann Friedrich the Magnanimous
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Lucas Cranach Part of a diptych with the portrait of his son, Johann Friedrich the Magnanimous


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Lucas Cranach

Kronach 1472-Weimar 1553 German painter and engraver. The son of a painter, he settled in Wittenberg c.1504 and was court painter successively under three electors of Saxony. There he maintained a flourishing workshop and was twice burgomaster. Cranach was a close friend of Martin Luther, whose doctrine he upheld in numerous paintings and woodcuts, and he has been called the painter of the Reformation. He was a rapid and prolific painter, and the work turned out by his studio is uneven in quality. Naïve and fanciful, often awkward in draftsmanship, it has, nonetheless, freshness and originality and a warm, rich palette. His portraits are particularly successful. Among his best-known works are Repose in Egypt (Gemäldgalerie, Staatliche Mus., Berlin-Dahlem); Judgment of Paris (Staatliche Kunsthalle, Karlsruhe); Adam and Eve (Courtauld Inst., London); and Crucifixion (Weimar). The latter contains figures of Luther and Cranach. His many famous protraits include those of Elector John Frederick and Self-Portrait (Uffizi). Cranach was also an accomplished miniaturist. He produced a few copperplates and designs for woodcuts. His son and pupil Lucas Cranach, the Younger,   Related Paintings of Lucas Cranach :. | Venus and Cupid | THe Virgin and Child under the Apple-tree | Portrat des Kardinal Albrecht von Brandenburg als Hl Hieronymus im Grunen | Torgauer Furstenaltar | Portrait of Emperor Charles V |
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Cagnaccio di San Pietro
Italian, 1897-1946,born Natale Bentivoglio Scarpa, was an Italian magic realist painter. He had his artistic training at the Academy of Fine Art in Venice, where he studied under Ettore Tito. Cagnaccio's early paintings were in a Futurist idiom, but by the early 1920s he had adopted a very smoothly brushed, nearly photographic style. His work, which includes portraits, nudes, still lifes, scenes of popular life, and religious pictures, shows the influence of the German painters of the New Objectivity. One of his best-known paintings, After the Orgy (1928) shows three nude women asleep on a floor littered with wine bottles, playing cards and cigarettes.
Thomas Shotter Boys
English Engraver, 1803-1874 English painter and printmaker. He was apprenticed on 4 February 1817 to George Cooke. His early training in engraving influenced his future career; his ability to draw a fine line, lay aquatint washes and hand-colour prints was an important factor in the creation of his particularly lucid style of watercolour landscapes and townscapes. At this time Cooke was engraving volumes of picturesque views by Turner and James Hakewell (1778-1843) as well as his own view of the Thames (1822);
Joseph Decamp
1858-1923 Joseph Rodefer DeCamp (November 5, 1858 - February 11, 1923) was an American painter. Born in Cincinnati, Ohio, he studied with Frank Duveneck in that city. In the second half of the 1870s he went with Duveneck and fellow students to the Royal Academy of Munich, then spent time in Florence, Italy, returning to Boston in 1883. He became known as a member of the Boston school led by Edmund Charles Tarbell and Emil Otto Grundmann, focusing on figure painting, and in the 1890s adopting the style of Tonalism. He was a founder of the Ten American Painters, a group of American Impressionists, in 1897. A 1904 fire in his Boston studio destroyed several hundred of his early paintings, including nearly all of his landscapes. He died in Boca Grande, Florida.






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